DENON PMA-950 (1980)

 

Specifications

Rated output: 80W+80W (20Hz-20kHz 8ohm)

Total harmonioc distortion: 0.004%

Power bandwidth: 5Hz-100kHz

Dimensions: 470x140x410mm (WxHxD)

Weighjt: 14,5kg

Original price: 1998DM Germany

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Technics RS-M202 (1981) | W-softm

 

Editing, mixing, and multi-track recording can all be done with RS-M202 from Technics.

Record from cassette to cassette. Place a cassette full of music on the playback deck (Tape 1) on the right, and a empty tape on the recording/playback deck (Tape 2) on the left. Press the dubbing/mix button to set (Tape 2) to recording and (Tape 1) to playback. The recording level can be adjusted with the Level - Tape 1 volume. | Select your favorite songs and edit the tape. You can freely select only the songs you like from the air check tape and edit it. It is very easy to start the selected song with the music selector equipped on Tape 1. | Sing with a tape in the background and record it mixed. Sing with the music played on <Tape 1> in the background and record it on <Tape 2>. The microphone volume can be controlled independently of the background music by the input level volume. | High quality design that allows you to play back with ease. At the heart of each of the <Tape 1> and <Tape 2> is an innovative mechanism that uses the torque of a motor to switch between operations. Stable tape travel allows you to enjoy high fidelity recording and playback with ease. | Auto tape selector & metal compatible. When you set a cassette tape in the tape 2. The selector is featured on both <Tape 1> and <Tape 2>. The recording/playback head <Tape 2> uses an MX head, a Hi-Fi design that takes advantage of the characteristics of metal to enjoy beautiful sound quality.

Main features of the RS-M202● Recording/playback deck + playback deck integrated● Versatile play such as tape editing, mixing recording, and multi-recording● Music selector (Tape 1)● ● Dubbing/mix button● FL display with auto-reset peak hold● Auto tape selector● Level-Tape 1 volume● Dolby NR circuit● Soft-mute drive (Tape 1, Tape 2)● One-button recording● REC mute mechanism● Timer standby mechanism● Soft-mute operation

RS-M202 main specifications●Heads used/MX head (tape 2, recording/playback), high-hardness permalloy head (tape 1, playback), double-gap ferrite head (tape 2, erase)●Motors used/Electronic control DC motors x 2 (tape 1, tape 2)●Frequency response/20-16,000 Hz (Normal), 20-17,000Hz (XAII), 18.000 Hz (Metal)●Signal-to-noise ratio/57dB (XAII, peak), Dolby NR IN: 10dB improvement (5kHz or higher)●Wow and flutter/0.05% (W.R.M.S)●External dimensions/weight/430(W) x 119(H) x 287(D) mm, approx. 5.4kg

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Aurex XR-81 (1981) | CD player prototype

 

Aurex's Digital Audio Disc (DAD) player was based on the compact disc (CD) format. Behind the development of DAD, such as dedicated LSI, semiconductor laser diode, and laser pickup, was Toshiba's 100-year history and comprehensive technical capabilities such as communication technology, material technology, and production technology that have been cultivated in various fields during that time. It was developed based on the accumulated digital audio technology of Aurex/Toshiba, which began with the development of PCM processors. It is an optical DAD player using the CD method, and is a high-performance, compact, and easy to operate audio component for the future. The XR-81 incorpoartaed the TOPH 15 optical pickup head fitted with the TOLD 30/40 laser diodes. The partial type autoloading method makes it quick and easy to load the disc. It feels the same as loading a cassette deck. The front loading and front operation allow for easy stacking with other component devices. The auto search system provides accurate and fast track cues (average access time 3 seconds)...All this effort and a dedicated Japanese brochure for a model that was nothing but a prototype. However, this was actually the basis of the commercially available XR-Z90, one of the first CD players to reach the market. More about the XR-Z90 soon, so don't forget to follow 1001 Hi-Fi.

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